In the 1980s, a pair of Han cadres from the border were both killed in Basu County, Qamdo, Tibet, leaving behind a six or seven-year-old orphan named Zeng Danqing. A local lama Qiangpa who lived in the monastery was grateful and worked hard to raise this Han child, educate him, and guide him to grow up. Zeng Danqing lived up to expectations, integrating Tibetan murals with Chinese paintings and oil paintings, and gradually formed his own style of painting. He emerged as a world-class outstanding painter. And he gave up all preferential treatment and resolutely returned to the Jampa Lama. It composed a new chapter of Tibetan-Han national unity, flesh-and-blood connection, and the blending of life and death.
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