Sister Mei thought that all the joy in life was far away from her, until she met her ex-husband Zhiyuan again. Zhiyuan was dragging one of his legs due to debt, while Sister Mei carried the entire family on her shoulders. Her mother was mentally ill and her son was mentally and physically disordered. She had to use her hands to solve his needs late at night. Zhiyuan's skillful hands can play puppetry, help Sister Mei sell medicine on the TV station, decide the world with one hand, and can also hold up Sister Mei's waist with one hand, making her love like a cloud. Sister Mei thought that there was an extra pillar in the family, but life continued to put more weight on her back. Daughter, mother, and lover were all like flowers with double petals. No matter how beautiful the flowers bloomed, the branches could not hold up, and the romance was finally beaten away by the rain. Is home a shackle or a sweet burden? Sister Mei can give to so many people in her life, but what about her heart? The female flower, with its tall and straight bones supporting the broken home, is full of luxuriant leaves. Issues such as single-parent families in rural areas, long-term care issues, and the helpless sex of adolescents with physical and mental disabilities are all included in the scene. The butterfly is the soul of the flower, and it comes back to find itself. This film is like a Taiwanese women's illustrated book, every scene is about yourself. Can't do it myself.
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剧情片
台湾
2020