The Last Portrait

The story begins in 1964. James (Armie Hammer) is an art critic. One day, he came to the personal exhibition of the famous artist Giacometti (Geoffrey Rush) in Paris. What James did not expect was that he would be lucky enough to meet Giacometti himself. Not only that, Giacometti would also invite him to his studio to be his model. In this way, James began to have close contact with this legendary artist. In the crowded and narrow studio, James witnessed with his own eyes the reservation and pain that extraordinary talent brought to Giacometti. When painting James's portrait, Giacometti repeatedly tore up the completed painting, and his creation seemed to be stuck in a bottleneck. In the end, could he complete the portrait as scheduled?