El Dorado 1921

In the 19th century, literary works describing beauty and ugliness were all the rage. "Beauty" is weird and beautiful, with strip clubs for pleasure, illegitimate children with serious illnesses, insensitive upper class people, marriages ordered by the father, and attempted humiliation and abuse, among other things. "Beauty" has rich emotions, including beautiful ones such as true love, and cruel ones such as fear and hatred. After being ruthlessly abandoned by her lover who was in the upper class of society, the poor woman had no choice but to dance in front of everyone and show off her lustful appearance in order to pay for her son's medical expenses. Forced by her father's orders, the girl who already had her own heart had to face the cruel reality of getting married to an older man. Shot in 1921, the French director Marcel Lepierre specifically stated in the opening subtitles: This is a "farce", expressing Lepierre's contempt for Thomas Ince's ordinary anecdotal themes. He told the tragic fate of the Spanish dancer Sibylla in an unconventional way. Lepier drew nourishment from the artistic achievements of the French Impressionist painters, the American Griffith, and the Swedish Sjostejom, and used stunts as an important means of film expression. The concise and perfect photography skills in the film harmonize the Spanish outdoor scenery and indoor settings, and play a vital role in the development of the plot.