영화 제목은 자기 홍보에 대한 은유이다. 그가 비행기를 만들고, 영화를 감독하고, 마음을 아프게 하는 동안, 그의 친구와 연인들은 그의 인간적인 면에 접근하려고 노력하고 그것이 힘든 싸움이라는 것을 알게 됩니다. 영화 제목은 재빠른 금융 인수, 단기 이익을 위한 독재적 통제,

George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures. The Carpetbaggers is the kind of trashy classic most people were too embarrassed to admit they enjoyed back in the early 60s. But this Harold Robbins adaptation is so cheerfully vulgar, it's hard not to have a good time - especially given the thinly veiled portrait of Howard Hughes at its center. George Peppard plays the heel-hero, who founds an airline company in the 1920s and buys a movie studio in the 1930s, crushing friends and mistresses along the way. The high cheese factor is aided by the good-time cast Carroll Baker as Peppard's hot stepmom, Bob Cummings (quite funny) as a cynical agent, and Elizabeth Ashley, who married Peppard, in her debut -uncharacteristically, as a good girl. One sad note is Alan Ladd, looking and sounding very end-of-the-line in his final role, as a man's man cowboy star. Elmer Bernstein's swaggering score helps goose the action along.